We are honored to be recognized again by Interior Design Magazine for this year’s Top 100 Giants! “For the first time, the total square footage completed by the Giants eclipsed 1 billion. That resulted from 61,300 jobs, another 5 percent gain.” – interiordesign.net
We are thankful for our wonderful team of designers and for our loyal clients who have made the journey possible.
POSTED ON FEBRUARY 1, 2018
Written by Phyllis Hartman, ASID, LEED AP
Many industries mark the beginning of each year with trends and predictions for the months ahead. The design industry is no exception, as many manufacturers and press outlets report on new looks coming to the fore. And while we can’t be slavish to fads, these updates are always a useful reference as we contemplate our own design selections moving into 2018. Upon reviewing many of these reports, it’s notable to see how many of our choices, based on client requests, are in line with industry patterns. Here are five trends that stand out:
An obvious place to start, now that the major paint companies have declared their “official” colors for 2018. This year’s paint colors, for the most part, are dramatic and deeply saturated: Pantone named Ultra Violet, while Benjamin Moore identified Caliente—a rich, lipstick red—and Sherwin Williams announced Oceanside, a vivid teal. Glidden and Olympic, meanwhile, declared their own shades of black—Deep Onyx and Black Magic—as the year’s official hues. Our designers have been turning to black as a neutral for several years, but what’s new is that the deep, jewel-tone shades that have emerged this year have a black base to them. That’s what gives them their moody feel—a palette that House Beautiful magazine identified for 2018. Those tones make wonderful complements to the cognac hues we’ve been gravitating toward in our work. “It’s in the bronze family with a touch of orange and a little bit of red,” Hartman Design Group founder Phyllis Hartman says. Its rich, earthy tone looks gorgeous in textiles, leather, porcelain and ceramics. Even better, the deep, black-based teals, blues and greens are a powerful complement to this cognac/terra cotta color; they come alive against each other where one draws out the richness in the other. Houzz.com contributor Jennifer Ott confirmed this point in the home-design website’s 2018 trend report: “Warm grays with rich, earthy shades will edge out cooler neutrals for a more sumptuous look,” she says. “I’m seeing a move toward warm grays and rich, earthy shades of camel, rust, tobacco and brown-blacks.”
Along with these deep colors, we’re seeing a return to pattern mixing. Layering pattern on pattern has to be done judiciously, of course, but we see the trend becoming popular among Millennials who want to create their own identity with energy and a sense of individual style. We are finding that this age group responds to design styles that are warm, inviting and homey. This gesture is exactly in line with recent trend reports out from houzz.com and Dering Hall, both of which note increased appetites for eclectic design and the mixing of metals, texture and sheen. House Beautiful noted the comeback of bold, floral patterns in particular. “I love the resurgence on the feminine side of the big, beautiful florals,” Nancy Fire, creative director of HGTV Home, told the magazine. “It’s coming from a boho trend that’s more casual.” Along those lines, our clients are requesting fabrics and furnishings that exude comfort. Velvet, for example, used to be considered very formal, but when mixed in with wood accents like reclaimed lumber, the mood becomes much more inviting—not to mention that velvet is the perfect vehicle for these dark, striking colors that are so popular now. House Beautiful singled out velvet as its own trend, in fact, in its recent report. We’re also choosing plush furniture designs—nothing too precious—that invite condo and apartment residents to see their buildings’ public spaces as extensions of their own living area. We look for materials that embrace the person sitting on them; their tactile feel needs to create a sense of sanctuary. In its decorating report for 2018, Country Living magazine noted that shapely furniture—full of curves, no hard edges—is the thing to look for this year. Even CB2, known for its minimalist furnishings, is coming out this spring with furnishings that have more rounded silhouettes, the report said. Dering Hall also emphasized soft edges in furniture, which are so much more inviting than hard angles.
No, we’re not contradicting ourselves from above. Streamlined profiles and neutral color palettes are classic companions—they don’t come and go like pattern and color tend to do, particularly with Scandinavian elements such as modern frames with warm wood finishes. These settings are perennially relaxing, offering up space to escape the craziness of the world, both politically and technologically. Our requirement for this look, however, is that the interiors must be comprised of authentic materials. Because there is so little color, the design must assert itself through the texture of wood, iron, porcelain and natural textiles. Harper’s Bazaar produced a 2018 report focused entirely on emerging Scandinavian design elements, such as folding-style leather-backed wooden chairs and wood-slatted walls, which demonstrate how natural elements define an interior, rather than color or pattern. In this type of setting, anything synthetic would, quite literally, cheapen the look.
It’s one thing to have a well-appointed lobby with areas branching off for impromptu gatherings or quiet pursuits. But many of the new developments we’re working on include coffee shops, wine bars—even an entrance to Whole Foods—in that lobby mix. It’s living in such a way that you’re surrounded by activity and people, yet there are still places where one can be “alone” in the middle of the fray. In our business, that’s called an “activated space,” which sparks engagement and sociability. As designers, it’s our job to make all these functions aesthetically pleasing, with a seamless flow between communal work space, areas that are slightly more private, and open social space that lies just outside the retailers’ doors. Those priorities steer the design in a much more casual direction, focusing on life experience rather than pure aesthetics—a quality that’s echoed in nearly every residential interiors report this year.
Clients are becoming ever more sensitive to environmentally friendly materials in their buildings’ architecture and interior design. Country Living, Dering Hall and House Beautiful all pointed to natural accents such as wood, stone, and brick as a big design driver this year. Our Design Director, Anny Falgas states, “The use of natural finishes engages people with their environment and reiterates the desire to respect and connect with nature. It’s our own way of honoring nature through the means of design.” That trend continues to grow, so our default in selecting textiles, furnishings and other design elements is always to make choices that are sustainable, from FSC-certified and reclaimed woods to organic fabrics and recycled materials.
Written by Phyllis Hartman, ASID, LEED AP
POSTED ON JANUARY 29, 2018
We are honored to be recognized again by the Whttp://www.bizjournals.com/washington/subscriber-only/2016/11/18/corporate-philanthropy-small-companies.htmlashington Business Journal’s 2017 Top Corporate Philanthropy List! This great achievement can only be accomplished through the continued dedication of our amazing team who help and give back to the community.
POSTED ON DECEMBER 1, 2017
We are delighted to be recognized by the Washington Business Journal’s List for Largest Interior Design Firms in the Greater D.C. once again. This honor can only be accomplished through the continued dedication of our amazing design team and our loyal clients.
POSTED ON DECEMBER 14, 2017
Written by Phyllis Hartman, ASID, LEED AP
How does it feel to walk into a home with blank walls? Maybe it feels like the owner is there only temporarily—or that he or she just moved in. Either way, there’s a sense that something’s incomplete, or worse, that something’s just plain wrong. Such is the power of art in our lives: It defines and grounds us; it can lift our spirits and sense of wonder; it can make us smile; it can challenge, surprise and entertain.
Just as we’re rewarded with sweeping views once we reach the top of a mountain, art provides an interior vista as we walk in the door or turn the corner into a new space. From a design perspective, it can be the focal point from which a room’s palette and style emerges. On a more personal level, an art collection transforms that room into your own sanctuary.
The same idea extends to public spaces, particularly in condo and apartment buildings. At a time when the cost of construction is rising, developers are building smaller units with larger public areas to get the biggest return on their investment. This trend puts the onus on us as interior architects and designers to conceive public space that can double as an extension of one’s home.
The question then becomes: Where do you start? When project begins, it’s rare that an individual or team of people will express their personal tastes and preferences for art style or genre. At times, of course, the building owner might have a personal collection he or she wants to display, and that collection becomes the design driver. But most often, we start from scratch in determining how to beautify communal space that includes lobbies, lounges, meeting and recreational rooms, chef’s kitchens and eating areas—even pet spas and outdoor “rooms.”
That’s when we as designers look to a building’s location for direction. Whenever we can, we like to bring in local artists whose works tell a story about the community. Is it an area like Georgetown, DC, with a deep sense of history? Or maybe Hyattsville, Maryland, which has a thriving art scene? Perhaps it’s a central urban environment with a grittier vibe, or a big sports town? There are all sorts of ways to bring in that local flavor.
At The Signature in Reston, Virginia, for example, we reached out to artist Susan Main, the curator and director of galleries and exhibition programming at VisArts in Rockville, Maryland. We admired the swirling, whimsical lines in her work—just the kind of thing you’d want in a commissioned piece focused on signatures. We’ve asked her to create a large encaustic work representing 25 autographs of famous people who hail from Northern Virginia—from historical figures such as Booker T. Washington and Thomas Jefferson to contemporary standouts like basketball veteran Grant Hill and comedian Wanda Sykes.
There’s a different narrative in the Crystal City section of Arlington, VA, where The Bartlett—Arlington’s tallest apartment building—enjoys sweeping, uninterrupted views across the Potomac River to Washington’s monuments. We brought that vista inside with commissioned photography of iconic DC images, while we asked acclaimed DC artist Maggie O’Neill to create oils that reinterpret Washington’s symbols—the Capitol building; Uncle Sam; the Washington Monument—with wild splashes of color. The whimsy continues with a huge wall graphic that portrays midcentury-style dollhouses, and look closely in the lobby: The abstract painting that anchors the lobby’s focal wall hides a Bartlett pear etched into the oil.
While location always has a large impact on the art curation of these multi-family residences, the building itself can wield influence as well. We are currently working on Stonehall, a small luxury condo project in Bethesda that channels the charming European boutique hotels where centuries-old architecture plays into the design. Here, we’re combining architectural details with art to create a mood of quiet, urbane elegance. Every elevator lobby will feature beautifully framed, old maps of a great city—Paris, Madrid, Washington, Chicago, New York and Amsterdam are a few—to identify that floor. Each design project is special in its own way, and choosing art as the finishing touch is always a favorite endeavor—both for the developers who’ve hired us and for our entire staff as well. The energy palpably rises when discussion turns to art, and trips to galleries both locally and around the country inspire the most passion amidst the countless other furnishing, fabric and finish selections we’re making throughout a building’s public amenities.
Empty walls and spaces devoid of hand-made objects can be unsettling—like opening a book to find only blank pages, with no story to tell. As the interior designers of large buildings that are home to hundreds of residents, we take our mission seriously—and joyfully—in creating environments through curated art that make you feel properly at home the moment you step through the lobby door.
Written by Phyllis Hartman, ASID, LEED AP
POSTED ON OCTOBER 27, 2017